Stanley was inclined to think the censorship should be extended to the supply of what he styled latter-day fiction; good wholesome stories were being ousted, he said, by “vicious, corrupting stuff” that “left a bad taste in the mouth. He would always see the picture of the huge, raw-boned Dutchman, haranguing and thundering the word of God into the dull ears of South Sea Islanders, who, an hour later, would be carrying fruit penitently to their wooden images. He drew compellingly upon his new characters to keep him out of this melancholy channel; but they ebbed and ebbed; he could not hold them.
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