Gianfrancesco ran from the room, tearing at his hair. He would never be able to compose upon it, but it would serve to produce the finished work. From the centre of the ceiling hung a replica of the temple lamp in the Taj Mahal. The manager, however, who stood in the wings, nodded to her to proceed, and the orchestra commenced the first few bars of the music. It isn’t illusions—for us.
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