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We must always move on. Aware that they would not be allowed to remain long unmolested, the New Minters conducted themselves so outrageously, and with such extraordinary insolence, that measures were at this time being taken for their effectual suppression. When she saw however that this man was a stranger, and obviously harmless, her expression changed as though by magic. "And the next time Captain Darrell wants a witness, I promise you he shan't look for one in vain. . Unless—would he hide from them as he had hidden from her? It was a big house, he said. She would end alone. Just then, a carriage drawn by four horses, drove furiously up to the Six Bells; but Jack was too much absorbed to take any notice of it. CONTENTS CHAPTER PAGE I THE CARPET-KNIGHT AND THE 7 LADY II THE ADVENTURE OF ANNABEL 15 III ANNA? OR ANNABEL? 20 IV THE TEMPERAMENT OF AN 26 ARTIST V “ALCIDE” 31 VI A QUESTION OF 36 IDENTIFICATION VII MISS PELLISSIER’S SUSPICIONS 41 VIII “WHITE’S” 45 IX BRENDON’S LUCK 54 X THE TRAGEDY OF AN 61 APPETITE XI THE PUZZLEMENT OF NIGEL 66 ENNISON XII THE POSTER OF “ALCIDE” 70 XIII “HE WILL NOT FORGET!” 76 XIV “THIS IS MY WIFE” 81 XV A MARRIAGE CERTIFICATE 89 XVI THE DISCOMFITURE OF SIR 96 JOHN XVII THE CHANGE IN “ALCIDE” 103 XVIII ANNABEL AND “ALCIDE” 109 XIX “THIS IS NOT THE END” 115 XX ANNA’S SURRENDER 121 XXI HER SISTER’S SECRET 126 XXII AN OLD FOOL 134 XXIII MONTAGUE HILL SEES LIGHT AT LAST XXIV A CASE FOR THE POLICE XXV THE STEEL EDGE OF THE TRUTH XXVI ANNABEL IS WARNED XXVII JOHN FERRINGHAM, GENTLEMAN XXVIII THE HISSING OF “ALCIDE” XXIX MONTAGUE HILL PLAYS THE GAME XXX SIR JOHN’S NECKTIE XXXI ANNA’S TEA PARTY XXXII SIX MONTHS AFTER 138 144 150 156 162 169 174 178 183 188 ANNA THE ADVENTURESS Chapter I THE CARPET-KNIGHT AND THE LADY The girl paused and steadied herself for a moment against a field gate. " "I'd good reasons for placing it there, Sir; but don't question me about them now, or you'll drive me mad," returned Mrs. Uttering a faint scream, she sank backwards, and would have fallen, if it had not been for the interposition of Blueskin, who, at that moment, staggered into the room with a candle in one hand, and the bottle in the other. “Come on in, Michelle. They alighted at the restaurant, and stood for a moment in the passage looking into the crowded room. She felt a hysterical desire to strike him, to burst out crying, to blurt out the whole miserable truth. Ramage talked always about women or some woman’s concern, and very much about Ann Veronica’s own outlook upon life.
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