The tired woman looked up in inquiring silence at Ann Veronica’s diffident entry. “Life’s so queer,” she said, kneeling and looking into the flames. “The little English girl is very fortunate. And like that gospel it meant something, something different from its phrases, something elusive, and yet something that in spite of the superficial incoherence of its phrasing, was largely essentially true. Instinctively she had fallen into the posture of the poster, her hands behind her, her head bent slightly forward, her chin uplifted, her eyes bright with the drollery of the song. I simply warn you.
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