It was an intimate smell, the unmistakable scent of him and another woman. Think of those days in Paris. The blouse dried nicely, it would only need a touch of starch and a little ironing. Lucy could see Diane’s clear dislike of her, the foster background she had come from, and the single mysterious episode with the police that had inflamed the gossips from all the corners of town. Once or twice she commented upon it, but she knew that it was resultant of his fear of her impending departure. But, when the sound of the carriage-wheels died away, and he felt that she was actually gone, his resolution failed him, and he rang the bell violently. Did he like freaks? She opened her black umbrella, her giant sun deflector. He is in the care of those who will not leave the task assigned to them—the utter perversion of his principles—half-finished. ~THE END~ [Illustration: Distinctive Pictures Photoplay The Ragged Edge MIMI PALMERI AS RUTH ENSCHEDE ALFRED LUNT AS HOWARD SPURLOCK] [Illustration: Distinctive Pictures Photoplay The Ragged Edge A SCENE FROM THE PHOTOPLAY] [Illustration: Distinctive Pictures Photoplay The Ragged Edge A SCENE FROM THE PHOTOPLAY] [Illustration: Distinctive Pictures Photoplay The Ragged Edge A SCENE FROM THE PHOTOPLAY] End of the Project Gutenberg EBook of The Ragged Edge, by Harold MacGrath *** END OF THIS PROJECT GUTENBERG EBOOK THE RAGGED EDGE *** ***** This file should be named 15614-8. ” She replied with a rehearsed answer, “I was told that my real mother died the day I was born. You have converted me to—Lester Ward! You are my dear friend, you are a slip of a girl, but there are moments when my head has been on your breast, when your heart has been beating close to my ears, when I have known you for the goddess, when I have wished myself your slave, when I have wished that you could kill me for the joy of being killed by you. That it provided proof of the girl’s identity was one thing.
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