On the other a wretched engraving of the Chevalier de Saint George, or, as he was styled in the label attached to the portrait, James the Third, raised a suspicion that the inmate of the house was not altogether free from some tincture of Jacobitism. Besides, it did not fit her well, which was why the loose wimple had slipped. “I love this warm end of summer more than words can tell,” he said. Never again would he repeat that kiss; but at night when they separated, he would touch her forehead with his lips, and sometimes he would hold her hand in his and pat it.
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