It was something that would create a mutual claim, a relationship. Glad did I live and gladly die, And I laid me down with a will. “Most of it is ugly and frowsy,” she declared, “but it isn’t worth talking about. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. ‘Yes, I know. ‘I’m determined to find out all about you, mademoiselle. ’ She was about to develop this theme, when Jack’s gaze became fixed, and his expression changed. ‘You can’t prove nothing. Await me in the coach. If you have not been arrested, we have been disturbed; and it is but just and reasonable you should pay for occasioning such disturbance. And, if it had not been for a taste for plotting, which was continually getting him into scrapes, he might have been accounted a respectable member of society.
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