She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. He was fast rising to an eminence that no one of his nefarious profession ever reached before him, nor, it is to be hoped, will ever reach again. Considering how little he lets her have. It is simply our point of view which is altogether different. CHAPTER XIV Ruth lost the point entirely.
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