Near the body, which, it will be surmised, was that of Abraham Mendez, two ruffianly personages were seated, quietly smoking, and bestowing no sort of attention upon the new-comers. The metrical irregularity is intentional, because I want, as it were, to put you apart: to change the lilt and the mood altogether when I speak of you. The old woman told him she had no such article to dispose of, but recommended him to a neighbouring blacksmith. I never have known you. Ann Veronica could at the same time ask herself what this queer old gentleman could have meant by speaking to her, and know—know in general terms, at least—what that accosting signified.
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