’ ‘What?’ Hilary glanced from Gerald to Melusine, and coloured up. They feasted every day and ate all sorts of fresh foods grown in the expansive gardens teeming with vegetables and fruits. Here's the——" "Let me have one," cried a servant maid, running across the street, and in her haste forgetting to shut the door,—"here's the money. Well, while we were smoking our pipes, and quaffing our punch, Alsatia turns to me and says, 'Mint,' says he, 'you're well off here. A glance sufficed to show the young man how matters stood. All our fraternity are afraid of him; but I laugh at his threats. Know that I love you, that I will always love you. CONTENTS CHAPTER PAGE I THE CARPET-KNIGHT AND THE 7 LADY II THE ADVENTURE OF ANNABEL 15 III ANNA? OR ANNABEL? 20 IV THE TEMPERAMENT OF AN 26 ARTIST V “ALCIDE” 31 VI A QUESTION OF 36 IDENTIFICATION VII MISS PELLISSIER’S SUSPICIONS 41 VIII “WHITE’S” 45 IX BRENDON’S LUCK 54 X THE TRAGEDY OF AN 61 APPETITE XI THE PUZZLEMENT OF NIGEL 66 ENNISON XII THE POSTER OF “ALCIDE” 70 XIII “HE WILL NOT FORGET!” 76 XIV “THIS IS MY WIFE” 81 XV A MARRIAGE CERTIFICATE 89 XVI THE DISCOMFITURE OF SIR 96 JOHN XVII THE CHANGE IN “ALCIDE” 103 XVIII ANNABEL AND “ALCIDE” 109 XIX “THIS IS NOT THE END” 115 XX ANNA’S SURRENDER 121 XXI HER SISTER’S SECRET 126 XXII AN OLD FOOL 134 XXIII MONTAGUE HILL SEES LIGHT AT LAST XXIV A CASE FOR THE POLICE XXV THE STEEL EDGE OF THE TRUTH XXVI ANNABEL IS WARNED XXVII JOHN FERRINGHAM, GENTLEMAN XXVIII THE HISSING OF “ALCIDE” XXIX MONTAGUE HILL PLAYS THE GAME XXX SIR JOHN’S NECKTIE XXXI ANNA’S TEA PARTY XXXII SIX MONTHS AFTER 138 144 150 156 162 169 174 178 183 188 ANNA THE ADVENTURESS Chapter I THE CARPET-KNIGHT AND THE LADY The girl paused and steadied herself for a moment against a field gate. ‘Come, mademoiselle, it is of no use to conceal anything from me, you know. ‘Hilary, thank God! Have you a pistol about you? Or better yet, your sword. Set the boy free. ” Annabel, who was looking very well, and who was most becomingly dressed, moved to a seat from which she could command a view of the road outside.
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